Gabriel Fauré, Eric Le Sage, Alexandre Tharaud made "Souvenirs de Bayreuth "Fantaisie en forme de quadrille sur les thèmes favoris de la tétralogie de R. Wagner": V. —" available on 2010. The duration of Souvenirs de Bayreuth "Fantaisie en forme de quadrille sur les thèmes favoris de la tétralogie de R. Wagner": V. — is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Souvenirs de Bayreuth "Fantaisie en forme de quadrille sur les thèmes favoris de la tétralogie de R. Wagner": V. —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 63 in Fauré: Intégrale de la musique de chambre avec piano by Gabriel Fauré, Eric Le Sage. Souvenirs de Bayreuth "Fantaisie en forme de quadrille sur les thèmes favoris de la tétralogie de R. Wagner": V. — is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Souvenirs de Bayreuth "Fantaisie en forme de quadrille sur les thèmes favoris de la tétralogie de R. Wagner": V. — by Gabriel Fauré, Eric Le Sage, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM |
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