"I Miss You So" by Chris Connor was released on June 26, 2020. The duration of I Miss You So is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. I Miss You So's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Greatest 50s, so we believe that "I Miss You So" is a single. The popularity of I Miss You So is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Miss You So by Chris Connor is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Remember Clifford | John Lewis | E♭ Major | 0 | 5B | 76 BPM | ||
Looking at You | Mabel Mercer | G Major | 1 | 9B | 112 BPM | ||
Early Autumn | Anita O'Day, Marty Paich & His Orchestra | B♭ Minor | 0 | 3A | 124 BPM | ||
Yes Sir, That's My Baby | Etta Jones | A♭ Major | 4 | 4B | 147 BPM | ||
Manhattan | Lee Wiley | D♭ Major | 2 | 3B | 105 BPM | ||
Fin De L'Affaire - 1998 - Remaster | Hank Mobley | F Minor | 1 | 4A | 124 BPM | ||
You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
Join Me in a Dream | Rachael & Vilray | F Minor | 2 | 4A | 67 BPM | ||
Where or When | Harry Connick, Jr. | B♭ Minor | 0 | 3A | 101 BPM | ||
(How Little It Matters) How Little We Know | Chris Connor | F Major | 3 | 7B | 115 BPM |
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