"Music for "A Midsummer Night's Dream," Op. 21 (excerpts), I. Overture" by Vienna State Opera Orchestra was released on March 23, 2004. Music for "A Midsummer Night's Dream," Op. 21 (excerpts), I. Overture appears to be safe for all ages as it is not explicit. The track order of this song in Felix Prohaska, Mischa Elman, Vienna State Opera Orchestra, Vladimir Golschman's "Mendelssohn: Orchestral Masterpieces" album is number 5 out of 15. Based on our statistics, Music for "A Midsummer Night's Dream," Op. 21 (excerpts), I. Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Music for "A Midsummer Night's Dream," Op. 21 (excerpts), I. Overture by Vienna State Opera Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suppé: Dichter und Bauer: Overture (Andante maestoso - Allegro strepitoso) | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 78 BPM | ||
Otello: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E♭ Major | 2 | 5B | 138 BPM | ||
Don Carlos, Act I: Act I Scene 1: Prelude - Carlo il sommo imperatore (Un frate, Chorus) | Giuseppe Verdi, Luigi Roni, Vienna State Opera Chorus, Vienna State Opera Orchestra, Herbert von Karajan | F Major | 0 | 7B | 80 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
La Cetra: Concerto No. 10 in G Major, RV300: iii. Allegro | Vivaldi, Paul Makanowitzky, Vienna State Opera Orchestra, Vladimir Golschmann, Willi Boskovsky | G Major | 4 | 9B | 101 BPM |
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