"Overture To Collin's Coriolan, Op. 62, "Coriolan Overture"" by Slovak Philharmonic, Ludwig van Beethoven was released on February 5, 1988. Since Overture To Collin's Coriolan, Op. 62, "Coriolan Overture" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Beethoven: Overtures, Vol. 1 by Slovak Philharmonic. Overture To Collin's Coriolan, Op. 62, "Coriolan Overture" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture To Collin's Coriolan, Op. 62, "Coriolan Overture" by Slovak Philharmonic, Ludwig van Beethoven is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An American in Paris | George Gershwin, Libor Pešek, Slovak Philharmonic | B♭ Major | 1 | 6B | 82 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 143 BPM | ||
Peer Gynt - Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Libor Pešek, Slovak Philharmonic | A Minor | 0 | 8A | 157 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Chopin: 12 Études, Op. 25: No. 11 in A Minor "Winter Wind" | Frédéric Chopin, Leif Ove Andsnes | C Major | 3 | 8B | 86 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM |
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