Rajkot Gurukul made "Rasik Piya Ghanshyam" available on April 7, 2012. Since Rasik Piya Ghanshyam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rasik Piya Ghanshyam ...". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Rasik Piya Ghanshyam is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rasik Piya Ghanshyam by Rajkot Gurukul having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
Krushna Sudamani Jodi | Atul Purohit | B♭ Minor | 4 | 3A | 148 BPM | ||
Malyo Malyo Manushya Deh | NARAYANSWAMI | F Major | 6 | 7B | 115 BPM | ||
BHAJAMAN GIRIVAR DHARI | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM | ||
Tu Sundar Sundar Phoolon Ki Phulwari Maa | Mahendra Kapoor | F♯ Major | 3 | 2B | 88 BPM | ||
Shambhu Sharne Padi | Meena Patel | F Major | 6 | 7B | 90 BPM | ||
Sheelvant Sadhu Ne | Hari Bharwad | B♭ Minor | 4 | 3A | 78 BPM | ||
Mangal Karo Mahaveer | Satish Dehra | G Major | 2 | 9B | 100 BPM | ||
Rana Ji Ne Jai Ne Kejo Re Fari Jer Mokle | Lalita Ghodadra | A♭ Major | 6 | 4B | 155 BPM |
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