Charles Camilleri, David Campbell, Susanne Stanzeleit, Julian Jacobson made "Trio for Clarinet, Violin and Piano "New York": I. First Movement" available on November 16, 2009. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 27 in Camilleri: Music for Clarinet, Violin and Piano by Charles Camilleri, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Trio for Clarinet, Violin and Piano "New York": I. First Movement is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Trio for Clarinet, Violin and Piano "New York": I. First Movement by Charles Camilleri, David Campbell, Susanne Stanzeleit, Julian Jacobson is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
Lieder Ohne Worte, Siebentes Heft, Op. 85 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Martin: Ballade II | Frank Martin, David Bruchez, Ariane Haering | A♭ Minor | 0 | 1A | 129 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Renaissance Concerto: II. Baroque Interlude (After Rameau) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 1 | 4B | 117 BPM | ||
Suite for Violin and Piano: III | Johanna Beyer, Miwako Abe, Michael Kieran Harvey | A♭ Major | 0 | 4B | 0 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.6215975284576416
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