Silvius Leopold Weiss, Michel Cardin made "Sonata No. 4 in G Major, WeissSW 5: III. Courante" available on January 1, 2015. The duration of Sonata No. 4 in G Major, WeissSW 5: III. Courante is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Sonata No. 4 in G Major, WeissSW 5: III. Courante's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #23 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 4 in G Major, WeissSW 5: III. Courante is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 4 in G Major, WeissSW 5: III. Courante by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 4 in G Major, WeissSW 5: III. Courante being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Passamezzo sesto | Vincenzo Galilei, Massimo Lonardi | G Minor | 0 | 6A | 130 BPM | ||
De Caix d’Hervelois: Plainte | Louis de Caix d'Hervelois, Christina Pluhar, L'Arpeggiata, Rodney Prada | A Minor | 2 | 8A | 60 BPM | ||
El estilo | Alberto Iglesias | D♭ Minor | 1 | 12A | 117 BPM | ||
Preludio Primo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 133 BPM | ||
Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 1 | 12A | 135 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM |
Section: 0.6647262573242188
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