"Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante" by Johann Sebastian Bach, Fabio Bonizzoni, La Risonanza was released on April 5, 2019. The duration of Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante is about 3 minutes long, at 3:18. Based on our data, "Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Fabio Bonizzoni, La Risonanza's "Harpsichord Concertos, Vol. 2" album is number 5 out of 12. Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante by Johann Sebastian Bach, Fabio Bonizzoni, La Risonanza to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Concerto for Oboe and Cello in G Minor, RV 812: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 3 | 6A | 103 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 3. Allegro (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 4 | 5A | 111 BPM | ||
From Saul: Sinfonia, HWV 53: IV. Andante larghetto | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 119 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM |
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