La Niña de los Peines made "Bulería No. 1: El Castillito (Entré Yo en Ese Castillito) [with Luis Molina]" available on January 1, 2004. The duration of Bulería No. 1: El Castillito (Entré Yo en Ese Castillito) [with Luis Molina] is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Bulería No. 1: El Castillito (Entré Yo en Ese Castillito) [with Luis Molina]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Registros Sonoros, Vol. 3/13". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Spain. Based on our statistics, Bulería No. 1: El Castillito (Entré Yo en Ese Castillito) [with Luis Molina]'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bulería No. 1: El Castillito (Entré Yo en Ese Castillito) [with Luis Molina] by La Niña de los Peines having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Que El Viento Se La Llevó - Polo | Pepe de Lucia, Paco de Lucía | B♭ Major | 2 | 6B | 73 BPM | ||
Sentencia (Fandango y Soleá) [feat. Antonio Peana] | Niña De Antequera, Antonio Peana | B Major | 1 | 1B | 135 BPM | ||
Tarantas de la Gabriela (A Mi Gabriela) [with Luis Molina] | La Niña de los Peines | F Major | 2 | 7B | 136 BPM | ||
Sevillanas N. 3 (La Fábrica de Tabaco) | La Niña de los Peines | D♭ Major | 3 | 3B | 173 BPM | ||
Lorqueñas: Esquilones de Plata (with Melchor de Marchena) | La Niña de los Peines, Melchor De Marchena | B Major | 3 | 1B | 142 BPM | ||
Se Te Logró a Ti el Gusto (Seguidillas) | Niño Ricardo, Tomás Pavón | C Major | 5 | 8B | 154 BPM | ||
Martinete | Pepe De La Matrona | E Major | 1 | 12B | 89 BPM | ||
Que Vamos de Romería (Fandangos) | Antonio Mairena, Paco Aguilara | E♭ Major | 4 | 5B | 138 BPM | ||
La muerte de Joselito | Rafael Farina | A♭ Major | 3 | 4B | 97 BPM | ||
No Te Mires en el Río | Imperio De Triana | E Major | 5 | 12B | 107 BPM |
Section: 0.5578408241271973
End: 0.5615279674530029