"Préludes / Livre 1, L. 117: 10. La cathédrale engloutie - Excerpt" by Claude Debussy, Jean-Joël Barbier had its release date on June 4, 2024. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Préludes / Livre 1, L. 117: 10. La cathédrale engloutie - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 50 in Barbier plays Debussy & Satie by Jean-Joël Barbier, Claude Debussy, Erik Satie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Préludes / Livre 1, L. 117: 10. La cathédrale engloutie - Excerpt is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Livre 1, L. 117: 10. La cathédrale engloutie - Excerpt by Claude Debussy, Jean-Joël Barbier is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The St Gaudens ("Black March") | Charles Ives, Donald Berman | E Minor | 0 | 9A | 68 BPM | ||
Helvetia, Op. 17: No. 3, Laufenburg from "Three Waltzes" - Welte-Mignon 1318 | Vincent d'Indy, Raoul Stéphane Pugno, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
Das Jahr, H-U 385: No. 7, Juli | Fanny Mendelssohn, Sophia Weidemann | D Minor | 1 | 7A | 64 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: I. Allegro con fuoco | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
Robust Dogs | Bernie Horatio | A♭ Major | 0 | 4B | 137 BPM | ||
Norske Smaastubber for Piano, Op. 15: Fire Smaastubber. II. Allegro moderato | Signe Lund, Rune Alver | G Major | 1 | 9B | 97 BPM | ||
The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Embryons desséchés: 2. d'Edriophthalma | Erik Satie, Jean-Joël Barbier | G Major | 2 | 9B | 84 BPM | ||
Kinderszenen, Op. 15 - Träumerei. Marzenie | Robert Schumann, Mieczysław Horszowski | F Major | 0 | 7B | 134 BPM |