Roberto Sierra, Judith Kellock, Stefanie Jacob's 'Conjuros: VI. Iya' had a release date set for March 1, 2011. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 26 in Cancionero by Roberto Sierra, Mark Davis Scatterday. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Conjuros: VI. Iya's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Conjuros: VI. Iya by Roberto Sierra, Judith Kellock, Stefanie Jacob is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata para Guitarra: IV. Salseado | Roberto Sierra, Manuel Barrueco | D Major | 2 | 10B | 88 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Glosa a la Sombra | Roberto Sierra, Ellen Lang, David Krakauer, Mia Wu, Cheryl Seltzer, Joel Sachs | A Minor | 1 | 8A | 84 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Moonlight Sonata, Op. 27 No. 2 (Ludwig Van Beethoven) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
Summer Schemes (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | A♭ Major | 1 | 4B | 66 BPM | ||
Rapsodia piemontese for Violin and Orchestra, Op. 26 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 97 BPM |