Johann Sebastian Bach, Anastasia Kobekina, Azul Lima made "Concerto in D Minor, BWV 974: II. Adagio (After Marcello)" available on February 2, 2024. The duration of Concerto in D Minor, BWV 974: II. Adagio (After Marcello) is about 3 minutes long, at 3:25. Based on our data, "Concerto in D Minor, BWV 974: II. Adagio (After Marcello)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #9 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Concerto in D Minor, BWV 974: II. Adagio (After Marcello)'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Concerto in D Minor, BWV 974: II. Adagio (After Marcello) by Johann Sebastian Bach, Anastasia Kobekina, Azul Lima has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto in D Minor, BWV 974: II. Adagio (After Marcello) being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria: "Erbarme dich" (Arr. For Oboe d’amore, Violin, Strings And Continuo) | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | D Major | 0 | 10B | 102 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Cello Concerto in A Minor, RV 419: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Bach, JS: Goldberg Variations, BWV 988: I. Aria | Johann Sebastian Bach, Beatrice Rana | E Minor | 0 | 9A | 78 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM |
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