"13 Preludes, Op. 32: No. 13 in D-Flat Major (Grave - Allegro - Grave)" by Sergei Rachmaninoff, Vladimir Ashkenazy was released on January 1, 1976. 13 Preludes, Op. 32: No. 13 in D-Flat Major (Grave - Allegro - Grave) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Rachmaninov: Preludes, Op.3 Nos. 2, 23 & 32". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. 13 Preludes, Op. 32: No. 13 in D-Flat Major (Grave - Allegro - Grave) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Preludes, Op. 32: No. 13 in D-Flat Major (Grave - Allegro - Grave) by Sergei Rachmaninoff, Vladimir Ashkenazy having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Maria João Pires | G Major | 1 | 9B | 112 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Chopin: 12 Études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM |
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