"Percussion Concerto: II. D.S.C.H." by Danny Elfman, Colin Currie, Joann Falletta, Royal Liverpool Philharmonic Orchestra was released on May 17, 2024. Since Percussion Concerto: II. D.S.C.H. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Percussion Concerto & Wunderkammer". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Percussion Concerto: II. D.S.C.H.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Percussion Concerto: II. D.S.C.H. by Danny Elfman, Colin Currie, Joann Falletta, Royal Liverpool Philharmonic Orchestra having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Debussy: Danses pour harpe et cordes, CD 113, L. 103: No. 1, Danse sacrée | Claude Debussy, Markus Klinko, Orchestre de l'Opéra Bastille | E♭ Minor | 1 | 2A | 97 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation M, Percussion. Moderato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Klaus Badelt & Hans Zimmer: Medley of Pirates of the Caribbean - From the Film "Pirates of the Caribbean" | Hans Zimmer, Klaus Badelt, Claudio Ferrarini | A♭ Major | 2 | 4B | 121 BPM | ||
Recomposed: Vivaldi - The Four Seasons: Spring 2 | Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra | F Minor | 2 | 4A | 107 BPM | ||
La Tragédie de Salomé, Op. 50: V. Quatrième tableau | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | E Major | 0 | 12B | 77 BPM | ||
3 Little Negro Dances: No. 3, Ticklin' Toes (Transcr. for Solo Violin and Chamber Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | C Major | 1 | 8B | 169 BPM | ||
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM |
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