Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Martin Mitterrutzner, Christian Gerhaher, Gerold Huber, James Cheung made "Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick" available on September 3, 2021. The duration of Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 297 in the song's album "Schumann: Alle Lieder". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. In terms of popularity, Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Spanische Liebeslieder, Op. 138: 10. Dunkler Lichtglanz, blinder Blick by Robert Schumann, Emanuel Geibel, Sibylla Rubens, Wiebke Lehmkuhl, Martin Mitterrutzner, Christian Gerhaher, Gerold Huber, James Cheung having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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