Gioachino Rossini, Roberto de Candia, Coro Del Teatro Alla Scala Di Milano, Laura Polverelli, Francesco Piccoli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly made "Il Turco in Italia / Act 1: "Ho da far un dramma buffo"" available on January 1, 1998. The duration of Il Turco in Italia / Act 1: "Ho da far un dramma buffo" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Il Turco in Italia / Act 1: "Ho da far un dramma buffo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Il Turco in Italia / Act 1: "Ho da far un dramma buffo" is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Il Turco in Italia / Act 1: "Ho da far un dramma buffo" by Gioachino Rossini, Roberto de Candia, Coro Del Teatro Alla Scala Di Milano, Laura Polverelli, Francesco Piccoli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM |
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