"Pastels Du Vieux Japon, Op. 47: Le koto chante pour l'absent" by Marshall McGuire was released on April 1, 2013. With Pastels Du Vieux Japon, Op. 47: Le koto chante pour l'absent being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in Floating World by Riley Lee, Marshall McGuire. In terms of popularity, Pastels Du Vieux Japon, Op. 47: Le koto chante pour l'absent is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pastels Du Vieux Japon, Op. 47: Le koto chante pour l'absent by Marshall McGuire is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sorrow of Lady Zhaojun | Hong Ting | A Minor | 0 | 8A | 73 BPM | ||
Serenade, Op. 7: V. Jig | Frederick Septimus Kelly, Douglas Mackie, Marshall McGuire, Geoff Lierse, Benjamin Northey, Tasmanian Symphony Orchestra | A Major | 0 | 11B | 64 BPM | ||
Grande Sonata in D Major, Op. 2: VII. Variazione 2 (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Gaspard Fritz, Claudio Ferrarini | C Major | 2 | 8B | 71 BPM | ||
The Great Child in the Great Machine I | Ulrike Haage | D Minor | 0 | 7A | 66 BPM | ||
Haru no umi (The Sea in Spring) (arr. for flute and harp) | Michio Miyagi, Josef Molnar, Wayne Hedrick, Hye Hun Chung Bennett | A Minor | 2 | 8A | 110 BPM | ||
I've Felt Little Autumn (Chiisai Aki Mitsuketa) | Mizuyo Komiya | B Minor | 2 | 10A | 120 BPM | ||
Windchime | Michio Miyagi | G Minor | 1 | 6A | 83 BPM | ||
Shanti Svara Sonata | Sanseti Sabaru | C Major | 0 | 8B | 72 BPM | ||
Rokudan | Satomi Saeki And Alcvin Takegawa Ramos | A Major | 2 | 11B | 87 BPM | ||
Prélude en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 0 | 12A | 86 BPM |
Section: 0.5446054935455322
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