Anton Arensky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko's 'Raphael: My heart quivers "Song of the Off-Stage Singer"' had a release date set for January 25, 2002. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Raphael: My heart quivers "Song of the Off-Stage Singer"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Russian Opera Arias, Vol. 1". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Raphael: My heart quivers "Song of the Off-Stage Singer" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Raphael: My heart quivers "Song of the Off-Stage Singer" by Anton Arensky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Clair de Lune | Boston Cello Quartet | D♭ Major | 0 | 3B | 169 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
Piano Quartet in E flat, Op.47: 1. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | E♭ Major | 1 | 5B | 93 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |