Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989
Tokyo Kosei Wind Orchestra, James Barnes
Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1)
7:38 July 21, 2001
BPM
69
Key
F Minor
Camelot
4A

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Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 - Tokyo Kosei Wind Orchestra, James Barnes Information

Acousticness
96%
Danceability
10%
Energy
5%
Instrumentalness
84%
Liveness
14%
Loudness
54%
Speechiness
5%
Valence
6%
Popularity
Loudness
-27.623 dB

Summary

"Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989" by Tokyo Kosei Wind Orchestra, James Barnes was released on July 21, 2001. Since Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 25 out of 28 in Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1) by Tokyo Kosei Wind Orchestra, James Barnes. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 BPM

The tempo marking of Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 by Tokyo Kosei Wind Orchestra, James Barnes is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Autumn Soliloquy - Recording at Fumon Hall, Tokyo, 1989 Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
JPZ921111326
Label
L-M Records/RCA Records

Section: 0.5208210945129395

End: 0.5242180824279785