"Puccini: Madama Butterfly, Act 1: Introduction - Sharpless' Aria and Entrance of Butterfly (Instrumental Version, Arr. Palmer)" by Giacomo Puccini, Sir Neville Marriner, Cynthia Millar, Academy of St. Martin in the Fields was released on April 13, 2024. With this song being about 5 minutes long, at 5:06, "Puccini: Madama Butterfly, Act 1: Introduction - Sharpless' Aria and Entrance of Butterfly (Instrumental Version, Arr. Palmer)" by Giacomo Puccini, Sir Neville Marriner, Cynthia Millar, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Academy Plays Opera". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Puccini: Madama Butterfly, Act 1: Introduction - Sharpless' Aria and Entrance of Butterfly (Instrumental Version, Arr. Palmer) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 1: Introduction - Sharpless' Aria and Entrance of Butterfly (Instrumental Version, Arr. Palmer) by Giacomo Puccini, Sir Neville Marriner, Cynthia Millar, Academy of St. Martin in the Fields having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Plastics and Mouthwash | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
La Recontre | Christian Desire Langlade, Saint-Preux | B♭ Major | 2 | 6B | 115 BPM | ||
Bach-Gounod: Ave Maria - Trumpet and Piano Version | Schmuzick Productions | F Major | 2 | 7B | 136 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Distintas Realidades | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
Ray | Philippe Rombi | C Minor | 0 | 5A | 80 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Puccini: Tosca, Act III: 'E lucevan le stelle' | Giacomo Puccini, Sir Neville Marriner, Academy of St. Martin in the Fields | B Minor | 0 | 10A | 84 BPM | ||
The Hidden World Suite (6m25) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM |
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