Enrique Rodríguez made "En la Buena y en la Mala" available on October 21, 2014. The duration of En la Buena y en la Mala is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. En la Buena y en la Mala's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 27 in Esto Es Puro Compás by Enrique Rodríguez. Based on our statistics, En la Buena y en la Mala's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of En la Buena y en la Mala by Enrique Rodríguez is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Despues del Carnaval | Sexteto Cristal, Guillermo Rozenthuler | E Minor | 3 | 9A | 129 BPM | ||
Así Se Baila el Tango | Orquesta Típica Tanturi, Roberto Minondi, Hugo Araujo | G Minor | 3 | 6A | 132 BPM | ||
El Último Café | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
Remembranza | Ricardo Malerba, Orlando Medina | C Major | 1 | 8B | 124 BPM | ||
Valsecito de antes | Orquesta Juan D' Arienzo | A Minor | 3 | 8A | 107 BPM | ||
Paciencia | La Juan D'Arienzo | F♯ Minor | 7 | 11A | 137 BPM | ||
Incomprensión | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
Tú | Ariel Ardit | E Major | 4 | 12B | 117 BPM | ||
Felicia | Solo Tango Orquesta | D Major | 7 | 10B | 108 BPM | ||
Maleza | Alberto Morán, Enrique Munne, Orquesta Osvaldo Pugliese | B♭ Major | 2 | 6B | 117 BPM |
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