Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra's 'Løvenskiold: La Sylphide, Act 2: James and the Witch - The Scarf (Vivo)' came out on July 2, 2007. With Løvenskiold: La Sylphide, Act 2: James and the Witch - The Scarf (Vivo) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Tchaikovsky: The Nutcracker / Lovenskiold: La Sylphide". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Løvenskiold: La Sylphide, Act 2: James and the Witch - The Scarf (Vivo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Løvenskiold: La Sylphide, Act 2: James and the Witch - The Scarf (Vivo) by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act II: 1st Gypsy Dance (Minkus) | Mariinsky Orchestra | A Minor | 5 | 8A | 76 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Løvenskiold: La Sylphide, Act 2: The Sylph Scene - Divertissement (Andante) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 2 | 10B | 91 BPM | ||
Strauss II, J: Die Tauben von San Marco, Op. 414 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 1 | 10B | 177 BPM | ||
Swan Lake, Op. 20, Act II, No. 13, Danses des cygnes: IV. Allegro moderato | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra, Robert DeMaine, Johannes Wik | F♯ Minor | 0 | 11A | 198 BPM | ||
The Skaters - Waltz (arr. Norman Bates) | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 101 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
The Golden Age: III. Polka | Dmitri Shostakovich, Boston Pops Orchestra, John Williams | F Major | 1 | 7B | 82 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Fileuse: Andantino quasi Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 0 | 9B | 142 BPM |
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