La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Andrew Lawrence-King made "Gesproken tekst LXVIII (25): "Afscheid van de lezer" / Muziek: Folias Portuguesas (Harp)" available on 2012. With Gesproken tekst LXVIII (25): "Afscheid van de lezer" / Muziek: Folias Portuguesas (Harp) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Gesproken tekst LXVIII (25): "Afscheid van de lezer" / Muziek: Folias Portuguesas (Harp) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gesproken tekst LXVIII (25): "Afscheid van de lezer" / Muziek: Folias Portuguesas (Harp) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Andrew Lawrence-King is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Todos los bienes del mundo | Juan del Encina, Accentus Ensemble, Thomas Wimmer | A Minor | 5 | 8A | 107 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Missa "Mille Regretz": Kyrie (Morales) | The Hilliard Ensemble | B Minor | 1 | 10A | 78 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
Messe in H-moll, BWV 232: Et in Spiritum Sanctum | La Capella Reial De Catalunya, Stephan McLeod | A♭ Major | 0 | 4B | 115 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM |
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