Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda's 'Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck)' came out on April 5, 2013. With this song being about 5 minutes long, at 5:08, "Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck)" by Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #9. The popularity of Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck) by Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 2, Mohnblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Friedrich Rückert, Nils Anders Mortensen, Marianne Beate Kielland | B♭ Major | 0 | 6B | 75 BPM | ||
Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Leise weht ein erstes Blühn | Alma Mahler, Elise Caluwaerts, Marianna Shirinyan | D Major | 1 | 10B | 69 BPM | ||
La forza del destino, Act II, Scene II: La vergine degli angeli | Giuseppe Verdi, Dinara Alieva, Riccardo Zanellato, Carlo Lepore, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 2 | 9B | 86 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM |
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