Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah) - Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra Information

Acousticness: 98%
Danceability: 14%
Energy: 8%
Instrumentalness: 33%
Liveness: 11%
Loudness: 63%
Speechiness: 4%
Valence: 6%
Popularity: 6%
Loudness: -22.293 dB

Summary

"Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah)" by Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra was released on 1968. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 46 in Elijah - Mendelssohn by Felix Mendelssohn, Rafael Frühbeck de Burgos/Dame Gwyneth Jones/Simon Woolf/Dame Janet Baker/Nicolai Gedda/Dietrich Fischer-Dieskau/Wandsworth School Boys' Choir/New Philharmonia Chorus/New Philharmonia Orchestra, Rafael Frühbeck de Burgos, New Philharmonia Orchestra. Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah) BPM

The tempo marking of Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah) by Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Elijah, Op.70: No. 14 - Lord God of Abraham, Isaac and Israel! (Elijah) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Alfred Brendel	F Major	0	7B	135 BPM
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness"	Felix Mendelssohn, Daniel Barenboim	F♯ Minor	1	11A	128 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette	Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Major	3	4B	140 BPM
Sonata in G Major, KK. 455	Domenico Scarlatti, Yuja Wang	G Major	1	9B	139 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live	Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud	A♭ Major	1	4B	135 BPM
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso)	Antonín Dvořák, Khatia Buniatishvili	C Major	0	8B	77 BPM
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto	Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze	B♭ Major	0	6B	83 BPM
48 Esquisses, Op. 63, Book 1: No. 1, La vision	Charles-Valentin Alkan, Steven Osborne	C Major	0	8B	127 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7051262855529785

End: 0.7092876434326172