"7 Preludes, Op. 17: IV. Prelude No. 4 in B-Flat Major: Lento" by Alexander Scriabin, Evgeny Zarafiants was released on February 9, 2000. With 7 Preludes, Op. 17: IV. Prelude No. 4 in B-Flat Major: Lento being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #46. Furthermore, we believe that the track originated from Hong Kong. 7 Preludes, Op. 17: IV. Prelude No. 4 in B-Flat Major: Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Preludes, Op. 17: IV. Prelude No. 4 in B-Flat Major: Lento by Alexander Scriabin, Evgeny Zarafiants having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 5. Allegro vivace | Franz Schubert, Alfred Brendel | D♭ Major | 2 | 3B | 110 BPM | ||
Images - Book 2, L. 111: 3. Poissons d'or | Claude Debussy, Pascal Rogé | D♭ Major | 0 | 3B | 64 BPM | ||
5 Pieces, Op. 85, "The Flowers": No. 3 Iris | Jean Sibelius, Håvard Gimse | B♭ Minor | 0 | 3A | 92 BPM | ||
7 Preludes, Op. 17: III. Prelude No. 3 in D-Flat Major: Andante | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.3 in G major. Moderato non troppo | Dmitri Shostakovich, Alexander Melnikov | F Minor | 1 | 4A | 142 BPM | ||
Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 74 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
3 Studies, Op. 31: No. 3, Night | Alexander Glazunov, Jenny Lin | D♭ Minor | 1 | 12A | 94 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Infernale | Alexander Scriabin, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM |
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