Juvenal Correa-Salas, Rachel Currea's 'Christ Lay in Death’s Strong Bands (Christ Lag in Todesbanden) [Arr. Friedrich Wilhelm Zachau]' came out on September 29, 2017. The duration of Christ Lay in Death’s Strong Bands (Christ Lag in Todesbanden) [Arr. Friedrich Wilhelm Zachau] is about 3 minutes long, at 3:00. Based on our data, "Christ Lay in Death’s Strong Bands (Christ Lag in Todesbanden) [Arr. Friedrich Wilhelm Zachau]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Reformation 500 Anniversary Album: Martin Luther- Celebration of Spirit". In this album, this song's track order is #11. Christ Lay in Death’s Strong Bands (Christ Lag in Todesbanden) [Arr. Friedrich Wilhelm Zachau] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Christ Lay in Death’s Strong Bands (Christ Lag in Todesbanden) [Arr. Friedrich Wilhelm Zachau] by Juvenal Correa-Salas, Rachel Currea having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sollima: When We Were Trees: The Family Tree | Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
A campaign of tragedy (String Quartet) | Angles, Elle-Kari, Eva Lindal, Anna Lindal, Brusk Zanganeh, My Hellgren | G Major | 0 | 9B | 98 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
中国の太鼓 | Fritz Kreisler, 古川展生, 安宅薫 | F Major | 3 | 7B | 150 BPM | ||
Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Ave Maria "Tanti anni prima" | Yoko Ara, Takehiko Yamada | C Major | 1 | 8B | 77 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
Starry Sky Cycle Op. 52 - Pleiades: 17. II Maja | Urmas Sisask | A Minor | 0 | 8A | 105 BPM | ||
Spirit of the Forest | Hiroki Kashiwagi | A Minor | 2 | 8A | 110 BPM |
Section: 0.6253743171691895
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