Ezequiel Viñao, Janet Youngdahl, Absolute Ensemble, Kristjan Järvi's 'Arcanum: Pt. II: Plutarch (the e at Delphi, 18)' came out on August 1, 2005. Arcanum: Pt. II: Plutarch (the e at Delphi, 18) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. This song is part of Vinao: Arcanum by Ezequiel Viñao, Absolute Ensemble, Kristjan Järvi. The song's track number on the album is #14 out of 18 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Arcanum: Pt. II: Plutarch (the e at Delphi, 18) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Arcanum: Pt. II: Plutarch (the e at Delphi, 18) by Ezequiel Viñao, Janet Youngdahl, Absolute Ensemble, Kristjan Järvi has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Arcanum: Pt. II: Plutarch (the e at Delphi, 18) being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barroso: Brazil | Ary Barroso, Quatuor Ébène, Brazil Choir, Brazil String Orchestra, Mino Cinelu, Richard Héry, Stéphane Logerot | G Major | 6 | 9B | 124 BPM | ||
Primera Zenga | Ezequiel Viñao, Speculum Musicae | C Major | 0 | 8B | 129 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
For Bunita Marcus (1985): page 34 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
Aubade, FP 51a: X. Conclusion. Adieux et départ de Diane | Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp | A Minor | 0 | 8A | 136 BPM | ||
Schwanengesang D. 957: No. 13, The Wraith - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | B Major | 0 | 1B | 140 BPM | ||
Sonatas and Interludes for Prepared Piano: First Interlude | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
Fólk fær andlit (Arr. Jarkko Riihimäki) | Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki | A Minor | 2 | 8A | 84 BPM | ||
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Dana's Apartment | Elmer Bernstein | A♭ Major | 0 | 4B | 87 BPM |
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