Ezequiel Viñao, Janet Youngdahl, Absolute Ensemble, Kristjan Järvi's 'Arcanum: Pt. II: Plutarch (the e at Delphi, 18)' came out on August 1, 2005. Arcanum: Pt. II: Plutarch (the e at Delphi, 18) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. This song is part of Vinao: Arcanum by Ezequiel Viñao, Absolute Ensemble, Kristjan Järvi. The song's track number on the album is #14 out of 18 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Arcanum: Pt. II: Plutarch (the e at Delphi, 18) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Arcanum: Pt. II: Plutarch (the e at Delphi, 18) by Ezequiel Viñao, Janet Youngdahl, Absolute Ensemble, Kristjan Järvi has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Arcanum: Pt. II: Plutarch (the e at Delphi, 18) being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Strum | Jessie Montgomery, Catalyst Quartet | A Minor | 2 | 8A | 158 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': IV. Con moto (Adagio). Più mosso | Leoš Janáček, Jerusalem Quartet | E♭ Minor | 2 | 2A | 82 BPM | ||
Quartet II, 1st Mov. | Ezequiel Viñao, Juilliard String Quartet | D Major | 1 | 10B | 83 BPM | ||
Missa Brevis - III. Agnus Dei | Cello Octet Amsterdam | F Major | 0 | 7B | 167 BPM | ||
Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
Contamination | Ennio Morricone | D Major | 8 | 10B | 116 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM |
Section: 0.758608341217041
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