Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos made "Gasparone: "Denk' an dich, schwarze Ninetta"" available on August 29, 2014. With Gasparone: "Denk' an dich, schwarze Ninetta" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos's "Millöcker: Gasparone (Querschnitt)" album is number 5 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gasparone: "Denk' an dich, schwarze Ninetta" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gasparone: "Denk' an dich, schwarze Ninetta" by Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zirkusprinzessin - operetta in 3 Acts: Wenn du mich sitzen läßt | Emmerich Kálmán, Rita Bartos, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 147 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
Der arme Jonathan, Akt I: "Mister Vandergold" | Carl Millöcker, Orchester des Frankfurter Rundfunks, Kurt Schröder, Franz Fehringer, Bettina Brucker, Willy Hofmann, Marie Madlen Madsen, August Hempel, Elisabeth Wuttke, Hans Kautz | G Minor | 3 | 6A | 134 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
L'Estudiantina, Waltz Op. 191 | Vienna Walzer Orchestra, Sandro Cuturello | D Major | 4 | 10B | 112 BPM | ||
O Mädchen, mein Mädchen | Rudolf Schock | G Major | 2 | 9B | 80 BPM | ||
Immer nur lächeln - aus „Das Land des Lächelns“ | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
Evening Bells | Anonymous, Andre Bielecki, Don Kosaken Chor, Serge Jaroff | E♭ Major | 2 | 5B | 89 BPM | ||
Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM |
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