"Kennst du das Land, wo die Zitronen blühn (Mignon)" by Elisabeth Grümmer, Berliner Symphoniker was released on March 20, 2008. With this song being about 5 minutes long, at 4:39, "Kennst du das Land, wo die Zitronen blühn (Mignon)" by Elisabeth Grümmer, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Elisabeth Grümmer's "Lebendige Vergangenheit - Elisabeth Grümmer" album is number 8 out of 17. In terms of popularity, Kennst du das Land, wo die Zitronen blühn (Mignon) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kennst du das Land, wo die Zitronen blühn (Mignon) by Elisabeth Grümmer, Berliner Symphoniker to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Alles, was Odem hat" | Felix Mendelssohn, GewandhausChor, Chor der Oper Leipzig, Gewandhausorchester, Riccardo Chailly | A Major | 5 | 11B | 73 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Lillian Watson/Delia Wallis/Finchley Children's Music Group/London Symphony Orchestra/André Previn, Delia Wallis, Finchley Children's Music Group, Lillian Watson, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 88 BPM | ||
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM | ||
Attila: "Mentre gonfiarsi l'anima" | Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | F Major | 2 | 7B | 167 BPM | ||
Lohengrin, WWV 75, Act I: Act I Scene 2: Einsam in truben Tagen hab' ich zu Gott gefleht (Elsa, All The Men, The King, Friedrich) | Richard Wagner, Elisabeth Grümmer, Franz Crass, Ernest Blanc, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lovro Von Matacic | A Major | 1 | 11B | 71 BPM | ||
Temerari... Come scoglio (Cosi fan tutte) | Elisabeth Grümmer, Berliner Symphoniker | B♭ Major | 2 | 6B | 127 BPM | ||
Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM |
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