- BPM
- 78
- Key
- F Major
- Camelot
- 7B
Adams: Nixon in China: Act III - "I Can keep Still," - John Adams, Edo de Waart, Orchestra of St. Luke's Information
- Acousticness
- 96%
- Danceability
- 22%
- Energy
- 4%
- Instrumentalness
- 6%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -23.187 dB
Summary
"Adams: Nixon in China: Act III - "I Can keep Still,"" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. The duration of Adams: Nixon in China: Act III - "I Can keep Still," is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Adams: Nixon in China: Act III - "I Can keep Still,"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #37. Adams: Nixon in China: Act III - "I Can keep Still," is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adams: Nixon in China: Act III - "I Can keep Still," BPM
With Adams: Nixon in China: Act III - "I Can keep Still," by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Adams: Nixon in China: Act III - "I Can keep Still," Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | |
 | Pärt: Frates | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | |
 | Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, SWR Symphony Orchestra, Michael Gielen | D Major | 1 | 10B | 107 BPM | |
 | Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | A♭ Major | 1 | 4B | 141 BPM | |
 | Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestra National de Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | |
 | Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | |
 | DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8519184589385986
End: 0.8568799495697021