Richard Rodgers, Charlotte Kennedy, Sierra Boggess, Sejal Keshwala, Kelly Mathieson, Emma Kingston, Sinfonia Of London, John Wilson made "Oklahoma!, Act 1: No. 17a, Dream Sequence Melos" available on September 15, 2023. With Oklahoma!, Act 1: No. 17a, Dream Sequence Melos being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 33 in the song's album "Rodgers & Hammerstein's Oklahoma! (Complete original score)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Oklahoma!, Act 1: No. 17a, Dream Sequence Melos's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Oklahoma!, Act 1: No. 17a, Dream Sequence Melos by Richard Rodgers, Charlotte Kennedy, Sierra Boggess, Sejal Keshwala, Kelly Mathieson, Emma Kingston, Sinfonia Of London, John Wilson having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Some Enchanted Evening | Ezio Pinza | C Major | 2 | 8B | 87 BPM | ||
Losing My Mind | Dorothy Collins | D♭ Major | 1 | 3B | 103 BPM | ||
Oh, what a beautiful mornin' from Oklahoma! (arr. Matz) | Oscar Hammerstein II, Richard Rodgers, Samuel Ramey/National Philharmonic Orchestra/Peter Matz, Peter Matz, National Philharmonic Orchestra | E Minor | 4 | 9A | 82 BPM | ||
Edelweiss | Pink Martini, The Von Trapps, Charmian Carr, Oscar Hammerstein II, Richard Rodgers | E♭ Major | 1 | 5B | 86 BPM | ||
Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
I've Never Been in Love Before | Josie de Guzman, Peter Gallagher | D♭ Major | 1 | 3B | 141 BPM | ||
Sweet Charity: Charity's Theme | Cy Coleman, Sweet Charity Orchestra, Fred Werner, Sweet Charity Original Broadway Cast | D♭ Major | 1 | 3B | 133 BPM | ||
Heiraten | Liza Minnelli | E♭ Major | 4 | 5B | 83 BPM | ||
Climb Ev'ry Mountain | Peggy Wood | B♭ Major | 4 | 6B | 93 BPM | ||
Seventy-Six Trombones | Meredith Willson | A♭ Major | 5 | 4B | 128 BPM |
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