- BPM
- 70
- Key
- E Minor
- Camelot
- 9A
Partita No.6 In E Minor, BWV 830: 2. Allemande - Johann Sebastian Bach, Walter Gieseking Information
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 7%
- Instrumentalness
- 88%
- Liveness
- 16%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 26%
- Popularity
- 7%
- Loudness
- -25.099 dB
Summary
Johann Sebastian Bach, Walter Gieseking's 'Partita No.6 In E Minor, BWV 830: 2. Allemande' came out on October 12, 2021. With Partita No.6 In E Minor, BWV 830: 2. Allemande being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 207 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Partita No.6 In E Minor, BWV 830: 2. Allemande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Partita No.6 In E Minor, BWV 830: 2. Allemande BPM
The tempo marking of Partita No.6 In E Minor, BWV 830: 2. Allemande by Johann Sebastian Bach, Walter Gieseking is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Partita No.6 In E Minor, BWV 830: 2. Allemande Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | |
 | Cello Concerto in B-Flat Major, RV 423: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | B♭ Major | 2 | 6B | 122 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | |
 | Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | |
 | Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | |
 | Matthäus-Passion, BWV 244, Erster Teil: 14. Evangelista, Jesus "Und da sie den Lobgesang gesprochen hatten" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | A♭ Major | 1 | 4B | 98 BPM | |
 | Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.677509069442749
End: 0.6813888549804688