"Vespers: Steht auf, ihr lieben Kinderlein!" by Kile Smith, The Crossing, Piffaro, Donald Nally had its release date on April 28, 2009. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Vespers: Steht auf, ihr lieben Kinderlein!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Smith, K.: Vespers". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Vespers: Steht auf, ihr lieben Kinderlein! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers: Steht auf, ihr lieben Kinderlein! by Kile Smith, The Crossing, Piffaro, Donald Nally having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70, MWV A 25: Lift Thine Eyes to the Mountains | Felix Mendelssohn, Robert Shaw, Atlanta Symphony Orchestra | E Major | 2 | 12B | 80 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 2 Lied aus Aslaugas Ritter (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D♭ Major | 2 | 3B | 132 BPM | ||
The Red-White Flag | Mārtiņš Brauns, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 86 BPM | ||
In This Blue Room: Part III - Aurora | Kile Smith, Suzanne du Plantis, Laura Ward | C Major | 3 | 8B | 94 BPM | ||
Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
Cibavit Eos | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Communion Hymn of Pascha - S. Trubachev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | B Minor | 0 | 10A | 129 BPM | ||
For the Fallen | Douglas Guest, The Gesualdo Six, Owain Park | E♭ Minor | 1 | 2A | 80 BPM |