Gaspar Sanz, Gordon Ferries made "Fuga por la primer tono al ayre Español" available on October 1, 2005. The duration of Fuga por la primer tono al ayre Español is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Fuga por la primer tono al ayre Español's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gaspar Sanz, Gordon Ferries's "La Preciosa - The Guitar Music of Gaspar Sanz" album is number 4 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Fuga por la primer tono al ayre Español is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Fuga por la primer tono al ayre Español by Gaspar Sanz, Gordon Ferries to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fluyten Lust-Hof: 130. Lavolette | Jacob van Eyck, Lucie Horsch | B Major | 0 | 1B | 62 BPM | ||
Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux | Jean-Philippe Rameau, Raphaël Feuillâtre | F♯ Minor | 1 | 11A | 83 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
Jacaras de lo humano y lo divino | Sebastián Durón, Gaspar Sanz, Concerto 1700, Daniel Pinteño | D♭ Minor | 2 | 12A | 128 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Una sarao de la chacona, "A la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
La boda de Luis Alonso, o La noche del encierro: Intermezzo (arr. Kazuhito Yamashita for guitar) | Jerónimo Giménez, Kazuhito Yamashita, Rafael Aguirre | A Major | 2 | 11B | 108 BPM | ||
Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Jean Rondeau | B Major | 0 | 1B | 83 BPM |
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