"Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)" by Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music was released on July 1, 2009. The duration of Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden by Daniel Taylor. The song's track number on the album is #20 out of 30 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) by Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tilge, Hochster, meine Sunden, BWV 1083: Dich erzurnt mein Tun und Lassen (Alto) being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Goldberg Variations, BWV 988: Var. 7 | Johann Sebastian Bach, Glenn Gould | G Major | 6 | 9B | 85 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM |
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