Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith's 'Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686)' came out on September 27, 2011. The duration of Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 5 out of 83. In terms of popularity, Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces à deux violes du Premier Livre, suite en ré mineur: V. Gigue (1686) by Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Atto secondo: VI. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 137 BPM | ||
6 Cello Suites, No. 1 in G Major, BWV 1007: V. Menuets I & II - Arr. for Lute | Johann Sebastian Bach, Hopkinson Smith | B Major | 1 | 1B | 115 BPM | ||
Sonata in D minor, Op.4, No.8: 1. Preludio (Grave) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Minor | 1 | 12A | 82 BPM | ||
Lachrimæ, or Seven Teares: X. Mr. John Langton's Pavan, P. 14 | John Dowland, Jordi Savall | A Minor | 1 | 8A | 113 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Le Divertissement Royal de Versailles, LWV 38: Symphonie des Plaisirs (1664-1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 1 | 4A | 137 BPM | ||
Naïs - Air de Triomphe | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 3 | 2B | 75 BPM | ||
Suite En Mi Mineur: Sarabande À L'Espagnol, II.101 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 111 BPM | ||
Vivace (Telemann) | Jordi Savall | D Major | 1 | 10B | 123 BPM | ||
Suite En Mi Mineur: Allemande, II.98 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 120 BPM |
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