Martin Phipps's 'Hotel Jazz' came out on May 29, 2015. With Hotel Jazz being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Woman in Gold (Original Motion Picture Soundtrack) by Martin Phipps. The song's track number on the album is #2 out of 18 tracks. Based on our statistics, Hotel Jazz's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Hotel Jazz by Martin Phipps has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Hotel Jazz being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paper and Pen | James Shearman, Nick Ingman | D Major | 1 | 10B | 81 BPM | ||
Brideshead Revisited: No. 14, Desire | Adrian Johnston, Terry Davies, BBC Philharmonic | D Minor | 2 | 7A | 139 BPM | ||
Actually Her | Martin Phipps | D Minor | 0 | 7A | 87 BPM | ||
The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
Atonement: Elegy for Dunkirk | Royal Philharmonic Orchestra | B Minor | 1 | 10A | 81 BPM | ||
Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
Reception Waltzer | Maurizio Malagnini | B♭ Major | 2 | 6B | 97 BPM | ||
Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
Dry Stone Walls | Edward Farmer, Martin Phipps | G Minor | 3 | 6A | 155 BPM |
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