- BPM
- 86
- Key
- D♭ Major
- Camelot
- 3B
6 Metamorphoses after Ovid, Op.49 - Benjamin Britten, Heinz Holliger Information
- Acousticness
- 94%
- Danceability
- 22%
- Energy
- 8%
- Instrumentalness
- 79%
- Liveness
- 23%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 16%
- Loudness
- -22.189 dB
Summary
"6 Metamorphoses after Ovid, Op.49" by Benjamin Britten, Heinz Holliger was released on June 27, 2020. 6 Metamorphoses after Ovid, Op.49 appears to be safe for all ages as it is not explicit. The song is number 61 out of 61 in Britten: His Music by Benjamin Britten. 6 Metamorphoses after Ovid, Op.49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 Metamorphoses after Ovid, Op.49 BPM
The tempo marking of 6 Metamorphoses after Ovid, Op.49 by Benjamin Britten, Heinz Holliger is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
6 Metamorphoses after Ovid, Op.49 Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Grieg: Norwegian Dances, Op. 35: No. 3, Allegro moderato alla marcia | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 1 | 10B | 111 BPM | |
 | L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | |
 | The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | |
 | Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | |
 | Suite No. 2, Op. 80: V. Ciaccona. Allegro | Benjamin Britten, Jean-Guihen Queyras | G Major | 1 | 9B | 87 BPM | |
 | 5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | |
 | Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | |
 | Britten: War Requiem, Op. 66: IV. Sanctus, (c) After the blast of lightning (Baritone) | Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, Boys of Christ Church Cathedral, Oxford, Francis Grier, CBSO Chorus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 80 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | |
 | Brandenburg Concerto No. 4 in G, BWV 1049: 2. Andante | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.045361042022705
End: 1.0486278533935547