Andrea De Carlo, Anna-Lena Zühlke's 'Kapitel 1 - Margherita und der Mond' came out on May 13, 2021. The duration of Kapitel 1 - Margherita und der Mond is about 3 minutes long, at 3:07. Based on our data, "Kapitel 1 - Margherita und der Mond" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andrea De Carlo's "Margherita und der Mond (Ungekürzt)" album is number 1 out of 149. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Kapitel 1 - Margherita und der Mond's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Kapitel 1 - Margherita und der Mond by Andrea De Carlo, Anna-Lena Zühlke to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Ballet des coqs | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 106 BPM | ||
Kapitel 50 - Das Traumtheater | Andrea De Carlo, Lisa Cardinale | E♭ Major | 4 | 5B | 85 BPM | ||
Si dolce è il tormento | Claudio Monteverdi, Constantinople, Suzie LeBlanc | A Minor | 1 | 8A | 118 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Dialogo frà Rosinda ed Olindo | Marco Marazzoli, Nora Tabbush, Soledad de la Rosa, Ensemble Mare Nostrum, Andrea De Carlo | B Major | 0 | 1B | 65 BPM | ||
Concert à quatre parties de violes: IV. Gigue angloise | Marc-Antoine Charpentier, Ensemble Mare Nostrum, Andrea De Carlo | C Major | 3 | 8B | 76 BPM | ||
La Doriclea, Atto Primo Scena 2: Stabilito ha più volte il pensiero (Lucinda) | Alessandro Stradella, Giuseppina Bridelli, Il Pomo D'oro, Andrea De Carlo | A Major | 2 | 11B | 68 BPM |
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