Isaac Albéniz, Xuefei Yang made "Albéniz: España, Op. 165: VI. Zortizco (Allegretto)" available on November 8, 2010. The duration of Albéniz: España, Op. 165: VI. Zortizco (Allegretto) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Albéniz: España, Op. 165: VI. Zortizco (Allegretto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rodrigo: Concierto de Aranjuez". In this album, this song's track order is #14. Albéniz: España, Op. 165: VI. Zortizco (Allegretto) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Albéniz: España, Op. 165: VI. Zortizco (Allegretto) by Isaac Albéniz, Xuefei Yang having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iberia "Suite pour orchestre": No. 2, Fête-dieu à Séville | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | B Minor | 2 | 10A | 78 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Preludio : Preludio | Adam Holzman, Manuel Ponce | A Major | 1 | 11B | 131 BPM | ||
Suite Española No. 1, Op. 47: No. 4, Cadiz (Saeta) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | A Major | 1 | 11B | 109 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
J.Turina: Hommage À Tarrega - 1. Garrotin | Joaquín Turina, Aniello Desiderio | D Major | 2 | 10B | 105 BPM | ||
Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
Tango | Fritz Kreisler, Isaac Albéniz, Laurent Korcia | D Major | 1 | 10B | 110 BPM |
Section: 0.9616942405700684
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