On January 26, 2007, the song "Concerto XI in Sol Maggiore RV 150: Allegro" was released by Modo Antiquo, Federico Maria Sardelli. With Concerto XI in Sol Maggiore RV 150: Allegro being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #30 out of 35 tracks. Based on our statistics, Concerto XI in Sol Maggiore RV 150: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Concerto XI in Sol Maggiore RV 150: Allegro by Modo Antiquo, Federico Maria Sardelli has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto XI in Sol Maggiore RV 150: Allegro being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Credo in C Major for 4 Part Choir, Strings and Basso Continuo: I. Credo (Chorus) | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | B Major | 2 | 1B | 80 BPM | ||
Concerto in A Minor for Four Harpsichords, BWV 1065: III. Allegro | Johann Sebastian Bach, Apollo's Fire, Jeannette Sorrel | F♯ Major | 4 | 2B | 111 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto No. 3 In G Major RV 310: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 3 | 3B | 116 BPM | ||
Concerto VI in Sol minore RV 154: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 2 | 5A | 75 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Concerto in A Minor for Violin, BWV 1041: Concerto in A Minor for Violin, BWV 1041: II. Andante | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | B Major | 1 | 1B | 175 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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