Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson made "Satie: Parade: Choral - Prélude du rideau rouge" available on January 1, 1988. With Satie: Parade: Choral - Prélude du rideau rouge being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Satie: Parade, Relâche, En habit de cheval, Gymnopédies, La belle excentrique…". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. In terms of popularity, Satie: Parade: Choral - Prélude du rideau rouge is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Satie: Parade: Choral - Prélude du rideau rouge by Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Chamber Symphony, Op.110a - orch. Barshai: 2. Allegro molto (attacca:) | Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai | G Major | 6 | 9B | 103 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
弦楽のためのセレナード ハ長調 OP.48 第3楽章 エレジー | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | D Major | 1 | 10B | 84 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
12 Etudes d'execution transcendante, S139/R2b: No. 10 in F Minor, "Appassionata" | Franz Liszt, Jenő Jandó | E♭ Minor | 2 | 2A | 106 BPM | ||
Suite No. 2 for 2 Pianos, Op. 17: III. Romance | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Symphony No. 5, Op. 107, "Reformation": IV. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
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