"Falla: The Three-Cornered Hat, Pt. 1: The Girl" by Manuel de Falla, Rafael Frühbeck de Burgos, Philharmonia Orchestra was released on July 1, 1999. With Falla: The Three-Cornered Hat, Pt. 1: The Girl being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 4 out of 65. Falla: The Three-Cornered Hat, Pt. 1: The Girl is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Falla: The Three-Cornered Hat, Pt. 1: The Girl by Manuel de Falla, Rafael Frühbeck de Burgos, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Noches en los jardines de España: III. En los jardines de la sierra de Cordoba. Vivo | Manuel de Falla, Javier Perianes | G Major | 1 | 9B | 142 BPM | ||
Serenata andaluza | Benita Meshulam, Manuel de Falla, Peter Arts | A Major | 0 | 11B | 69 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
12 Danzas españolas, Op. 37: 2. Oriental | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 66 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM |
Section: 0.862462043762207
End: 0.8663797378540039