Francisco Guerau, Pierre Pitzl made "Poema harmonico: Passacaglia de 8 tono" available on April 1, 2014. With this song being about 5 minutes long, at 4:54, "Poema harmonico: Passacaglia de 8 tono" by Francisco Guerau, Pierre Pitzl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Rome - Paris - Madrid: European Baroque Guitar Music". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Germany. In terms of popularity, Poema harmonico: Passacaglia de 8 tono is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Poema harmonico: Passacaglia de 8 tono by Francisco Guerau, Pierre Pitzl having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marionas, 18 Diferencias | Francisco Guerau, Miguel Rincón | B Major | 1 | 1B | 138 BPM | ||
Españoleta | Francisco Guerau, Les Voix Humaines | D Major | 0 | 10B | 109 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Deuxième Livre de Pièces de Viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Hachas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 72 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Prelude in D Minor | Ennemond Gaultier, Rolf Lislevand | A♭ Minor | 1 | 1A | 107 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
Mein Fleib un Mueh | The Royal Wind Music | F♯ Minor | 0 | 11A | 136 BPM |
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