Aldo Antognazzi's 'Sonata Op. 7, No. 3 in G minor: ll. Cantabile e lento' came out on May 28, 2013. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aldo Antognazzi's "Muzio Clementi: Complete Piano Works, Vol. 6" album is number 9 out of 13. On top of that, Argentina appears to be the country where this track was created. Sonata Op. 7, No. 3 in G minor: ll. Cantabile e lento is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata Op. 7, No. 3 in G minor: ll. Cantabile e lento by Aldo Antognazzi to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 5 in D Major, BWV 1050: 3. Allegro | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 120 BPM | ||
Album for the Young, Op. 68: 39. Winter Time II | Aldo Antognazzi | C Minor | 2 | 5A | 130 BPM | ||
Gavotte, B. 164 | Antonín Dvořák, Vlach Quartet Prague | B♭ Major | 0 | 6B | 158 BPM | ||
Symphony No.7 C Major HOB 1-7 'Le Midi': Finale-Allegro | I Musici Di San Marco, Alberto Lizzio | C Major | 2 | 8B | 135 BPM | ||
Duett No. 1 in C Major, Op. 14: III. Allegro | Muzio Clementi, Aldo Antognazzi, Pablo Lavandera | C Major | 1 | 8B | 146 BPM | ||
Duett No. 3 in E-Flat Major, Op. 14: II. Rondeau- Allegro | Muzio Clementi, Aldo Antognazzi, Pablo Lavandera | E♭ Major | 4 | 5B | 144 BPM | ||
Symphony No. 8, Op. 15 No. 6, G. 508: II. Larghetto | Luigi Boccherini, London Mozart Players, Matthias Bamert | C Major | 3 | 8B | 80 BPM | ||
Schumann: Waldszenen, Op. 82: I. Entritt | Robert Schumann, Maria João Pires | B♭ Major | 1 | 6B | 134 BPM | ||
Concerto for oboe in D Minor, Op. 9, No. 2 - III. Allegro | Strings Of Zurich | D Minor | 2 | 7A | 99 BPM | ||
Hymne à l'amour (Arr. for Piano by Roberto Piana) | Marguerite Monnot, Carlos Manuel Vargas | E Minor | 1 | 9A | 41 BPM |
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