- BPM
- 104
- Key
- D Major
- Camelot
- 10B
Trio For Violin, Violoncello And Piano - Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner Information
- Acousticness
- 97%
- Danceability
- 36%
- Energy
- 5%
- Instrumentalness
- 37%
- Liveness
- 8%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 3%
- Loudness
- -21.094 dB
Summary
"Trio For Violin, Violoncello And Piano" by Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner was released on April 4, 2014. Trio For Violin, Violoncello And Piano appears to be safe for all ages as it is not explicit. The track order of this song in Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner, Amy Freston, Roderick Williams's "Harrison Birtwistle: Chamber Music" album is number 4 out of 18. In terms of popularity, Trio For Violin, Violoncello And Piano is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Trio For Violin, Violoncello And Piano BPM
We consider the tempo marking of Trio For Violin, Violoncello And Piano by Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Trio For Violin, Violoncello And Piano Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Streichquartett No. 1 - Metamorphoses nocturnes: Allegro grazioso | György Ligeti, Minetti Quartet, Anna Knopp, Maria Ehmer, Milan Milojicic, Leonhard Roczek | F♯ Major | 1 | 2B | 67 BPM | |
 | Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | |
 | 4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | |
 | The Mask of Orpheus, Act II Scene 1: 2nd Arch | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Major | 2 | 10B | 90 BPM | |
 | Quatuor en fa in F-Sharp Major, M. 35: II. Assez vif. Très rythmé | Maurice Ravel, Quatuor Tchalik | F Major | 1 | 7B | 148 BPM | |
 | Rituals, op.39 "Icon #2" | Kim Helweg, LP Duo | D♭ Major | 0 | 3B | 0 BPM | |
 | Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | |
| The Mask of Orpheus, Act I Scene 2: First Look of Loneliness | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | A♭ Major | 1 | 4B | 138 BPM | |
 | Ligeti : Ramifications for 12 solo strings | György Ligeti, Reinbert de Leeuw, Asko Ensemble | A Major | 0 | 11B | 59 BPM | |
 | Cherry Ripe | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6547589302062988
End: 0.6595759391784668