Giovanni Paisiello, Teresa Di Bari, Orchestra Ico della Magna Grecia, Giovanni Di Stefano's 'I zingari in fiera, Act I: Act I: Cavatina di Lucrezia: Ahi lo treppiede, e lo spiedo! (Lucrezia)' came out on November 1, 2014. The duration of I zingari in fiera, Act I: Act I: Cavatina di Lucrezia: Ahi lo treppiede, e lo spiedo! (Lucrezia) is about 3 minutes long, at 3:01. Based on our data, "I zingari in fiera, Act I: Act I: Cavatina di Lucrezia: Ahi lo treppiede, e lo spiedo! (Lucrezia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Paisiello: I zingari in fiera (The Fair Gypsies)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Based on our statistics, I zingari in fiera, Act I: Act I: Cavatina di Lucrezia: Ahi lo treppiede, e lo spiedo! (Lucrezia)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I zingari in fiera, Act I: Act I: Cavatina di Lucrezia: Ahi lo treppiede, e lo spiedo! (Lucrezia) by Giovanni Paisiello, Teresa Di Bari, Orchestra Ico della Magna Grecia, Giovanni Di Stefano having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
Bassoon Concerto in F, Op.75: 3. Rondo (Allegro) | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 129 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Henry Raudales, Munich Radio Orchestra | G Major | 1 | 9B | 114 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 1 | 11B | 141 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 137 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Il mondo della luna: Act I Scene 1: Recitative: Oh che gran belle cose (Ecclittico, Buonafede) | Giovanni Paisiello, Daniele Gaspari, Enzo Dara, Orchestra dei giovani del Conservatorio Claudio Monteverdi di Bolzano, Fabio Neri | G Major | 3 | 9B | 88 BPM |
Section: 0.6050517559051514
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