"Kleine Sonate, Op. 25 No. 2: II. Lebhaft" by Paul Hindemith, Umberto Aleandri, Filippo Farinelli was released on March 27, 2024. The duration of Kleine Sonate, Op. 25 No. 2: II. Lebhaft is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Kleine Sonate, Op. 25 No. 2: II. Lebhaft's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Umberto Aleandri, Filippo Farinelli's "Hindemith: Complete Music for Cello and Piano" album is number 5 out of 20. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Kleine Sonate, Op. 25 No. 2: II. Lebhaft is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kleine Sonate, Op. 25 No. 2: II. Lebhaft by Paul Hindemith, Umberto Aleandri, Filippo Farinelli to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Trauermusik | Paul Hindemith, Geraldine Walther, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 88 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Ludus Tonalis: Postludium: Solenne, largo-Arioso, Tranquillo-Moderato | Paul Hindemith, Edward Aldwell | A♭ Major | 1 | 4B | 75 BPM | ||
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM |
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