Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Eguez, Brian Feehan, Guido Morini, Lorenz Duftschmid made "Libro quarto d'intavolatura di chitarone: No. 3, Toccata 9na" available on January 1, 1993. With Libro quarto d'intavolatura di chitarone: No. 3, Toccata 9na being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Girolamo Kapsberger, Various Artists's "Kapsberger: Libro quarto d'intavolatura di chitaronne" album is number 3 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Libro quarto d'intavolatura di chitarone: No. 3, Toccata 9na is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Libro quarto d'intavolatura di chitarone: No. 3, Toccata 9na by Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Eguez, Brian Feehan, Guido Morini, Lorenz Duftschmid to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 2 in C Minor: V. Aria affettuoso - Allegro - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | B Minor | 1 | 10A | 127 BPM | ||
Suite in A Minor: III. Courante | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 137 BPM | ||
Toccata - Corrente | Giovanni Girolamo Kapsberger, Jakob Lindberg | B Minor | 2 | 10A | 84 BPM | ||
Sixiéme Suitte: IV. Rigaudon | Pierre Danican Philidor, Hans Olav Gorset, Rolf Lislevand, Paolo Pandolfo | D♭ Major | 1 | 3B | 138 BPM | ||
Marionas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 0 | 8B | 150 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Fugue in G Minor, BWV 1000 | Johann Sebastian Bach, Evangelina Mascardi | F♯ Minor | 1 | 11A | 80 BPM | ||
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Kapsberger | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 80 BPM |
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